




Streets in Black & WhiteModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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Please note that image critiquing is a matter of give and take: if you post images for critique, and you then expect to receive criticism, then it is also reasonable, fair and appropriate that, in return, you post your critique of the images of other members here as a matter of courtesy. So please do offer your critique of the images of others; your opinion is important, and will help everyone here enjoy their visit to far greater extent. Also please note that, unless you state something to the contrary, other members might attempt to repost your image with their own post processing applied. We see this as an acceptable form of critique, but should you prefer that others not modify your work, this is perfectly ok, and you should state this, either within your post, or within your signature. Images posted here should conform with the general forum guidelines. Image sizes should not exceed 950 pixels along the largest side (height or width) and typically no more than four images per post or thread. Please also ensure that you have a meaningful location included in your profile. Please refer to the FAQ for details of what "meaningful" is.
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Streets in Black & White![]() ![]() ![]() ![]() ![]() Nikons: D200, N80. Nikkors: 20-35 f/2.8 AFD, 50mm f/1.4 AFD. Speedlights: SB800.
I like the last one a lot, something strangely interesting about it.
Be careful about blowing out your highlights, that was the first thing I noticed - big patches of white. I think you should get more "up close and personal" with your subject; it can still remain candid but make them more of the focus of attention (a short DOF helps with this too). Try not to fall into the trap of taking pictures of homeless people (especially sleeping ones) just because they are homeless, I don't think it makes for a particularly original and in turn intriguing photo. If you want some inspiration, try looking at W. Eugene Smith (Let Truth be the Prejudice is a great book) or Robert Doisneau, my favourites.
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