blinkblink wrote:Comments welcome.
Ok, since you've asked...
I like the idea in #1, but I think the composition is still a bit random. A bit more hovering around may have given you an arrangement that "clicks".
Number 2 needs straightening. Easily done. Maybe it would have been stronger if the focus extended all the way from the bike in front to the ones at the far end?
Number 3 is great. Full of m&m colour, and reminds me of those half or full page big scenes in Herge's Tintin books. I never got tired staring at them. Nothing to focus on, really, just lots to explore. Might benefit from a bit more sharpness.
There is great potential for a moody shot in #4. Cutting down on the grass in the foreground by moving the camera more to the left (and maybe finding a higher vantage point) would have improved it by emphasising the line formed by the edge of the camp, and showing more detail of the campers.
Numbers 5 and 6: who can argue with cute kids?
Number 7 is my favourite. Great orange-blue contrast, always a winner. Again, a higher vantage point might have brought out the geometric arrangement of the tent rows a bit better.
Dunno about #8, it doesn't quite talk to me. I suppose it needs to be perfectly centered to be effective?
If anyone needs a good topic for a photography thesis, here is one: Why is it always so much easier to dissect other peoples' photographs while being completely blind to the faults in one's own?
Cheers
Steffen.