Alternate Fashion

More alternative fashion fun from a week ago. I'm slowly getting used to the very different light the monoblock slaves punch out. It's caused a really big change to my style of generally going for very open aperture and short depth of field, now shooting at f10 or smaller apertures and always at 1/500th. I cant wait to get some medium sized softboxes to make the shadows just that much softer again as the umbrellas only do so much to diffuse the light.
What I am noticing though is that when I open these shots in CS2 RAW - I am getting images that are so much sharper I find myself cloning out many specs of dust on props, skin blemishes (Ula here wasn't an issue there though) and stray hair or frayed prop edging.
I'm really glad I finally replaced my broken antique wacom, even if only for a cheaper graphire model.
For this shoot I had the services of a friend who has worked on makeup for the likes of Silverchair film clips, Pepsi ads and a lot of high end commercial work. While her work is brilliant, the tendancy of the D70 to see a depth of colour similar to slide film has Ula's face maybe needing a slight desaturation. On another shot from this night I did this by selecting her face, doing an adjustment layer with channel mixer set to 100% red and then using that masked layer in the luminousity mode.
DateTime Original: 2006:02:10 23:17:10
Exposure Bias: 1.33 EV
Exposure Program: Manual
Exposure Time: 1/500 sec
FNumber: f 10
Flash: Flash, Auto-Mode, Return light not detected
Focal length: 24 mm
ISO: 200
Make: NIKON CORPORATION
Max Aperture: f 3.7
Metering Mode: Spot
Model: NIKON D70
What I am noticing though is that when I open these shots in CS2 RAW - I am getting images that are so much sharper I find myself cloning out many specs of dust on props, skin blemishes (Ula here wasn't an issue there though) and stray hair or frayed prop edging.
I'm really glad I finally replaced my broken antique wacom, even if only for a cheaper graphire model.
For this shoot I had the services of a friend who has worked on makeup for the likes of Silverchair film clips, Pepsi ads and a lot of high end commercial work. While her work is brilliant, the tendancy of the D70 to see a depth of colour similar to slide film has Ula's face maybe needing a slight desaturation. On another shot from this night I did this by selecting her face, doing an adjustment layer with channel mixer set to 100% red and then using that masked layer in the luminousity mode.

DateTime Original: 2006:02:10 23:17:10
Exposure Bias: 1.33 EV
Exposure Program: Manual
Exposure Time: 1/500 sec
FNumber: f 10
Flash: Flash, Auto-Mode, Return light not detected
Focal length: 24 mm
ISO: 200
Make: NIKON CORPORATION
Max Aperture: f 3.7
Metering Mode: Spot
Model: NIKON D70