85mm @ f1.4

85mm @ f2.4

85mm f1.4 critiqueModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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85mm f1.4 critiquecomments please...
85mm @ f1.4 ![]() 85mm @ f2.4 ![]() Andrew
Canon make photocopiers and stick lenses on them....
Andrew - love the second shot, and I'm sure the bride was thrilled. The first one has a wonderful softness to it, but I would have preferred it if the veil covered the whole face - to me it is a bit disconcerting having some of the forehead and the left eyelashes 'peeking out' on the other side - but that is just my opinion.
Rel Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships! -Ansel Adams
http://www.redbubble.com/people/blacknstormy
both are lovely
the 2nd though is a bit too confronting as i think the veil over the face in the 1st one is amore romantic image it leaves a litle to the imagination That nikon 85 f1.4 is Nikons best ever lens in my experience
something to remember with veil shots:
where-ever possible you should arrange it so that there are no creases covering the face. this will give you the soft diffusion of the veil, but not obscuring any of the brides features. 2nd one is a nice portrait of a radiant bride. I am sure she loves this. Steve check out my image gallery @
http://photography.avkomp.com/gallery3
and please ignore everything I said, because Wendell does know what he's talking about
![]() But Steve made sense too ...... I give up - just keep taking these beautiful shots ![]() Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships! -Ansel Adams
http://www.redbubble.com/people/blacknstormy
NUMBER ONE all the way! That shot is gold!!! Much more playful and relaxed compared to number two.
I also think that playing with the veil too much can make it appear too stiff and then it looks like it has been played with. I agree that it shouldn’t obstruct the bride’s face but forcing it to appear “correct” can take time and then the moment is lost. I think the way you have captured it in the first image is just perfect the way it is. GOOD JOB!!!
I prefer the natural flow of the veil, as they can look to stiff and posed if flattened out. I also think it can carry mystic in an image. blacknstormy, thanks for your comments. Andrew
Canon make photocopiers and stick lenses on them....
was playing - the first shot was so much softer than the second .... I'll delete the image if you like .....
![]() Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships! -Ansel Adams
http://www.redbubble.com/people/blacknstormy
natural flow of the veil is one thing, I prefer to see the eyes of the subject. but if you are happy with it, no problems. steve check out my image gallery @
http://photography.avkomp.com/gallery3
Lovely images highlighting both the quality of the 85 f/1.4 and your skills as a portrait photog. #1 is my favourite and is well crafted and rather romantic and adds a certain mystery to the image.
cheers marco
You have just discovered it haven't you? Padey, #1 is my best choice and it's stunner, great job! Birddog114
VNAF, My Beloved Country and Airspace
Andrew you're a bastard, I've been seriously contemplating this lens recently and you're not making it easy for me to resist! Two lovely shots, I like them both equally.
Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
The first shot is great. While others may concentrate on the veil, its the lovely smile underneath the veil which works for me.
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