Fred Bare Summer pt1

After fashion week i shot the Fred Bare(kidswear fashion label) summer campaign up in Noosa.
I was responsible for the concept, art direction and photography, post production and design. This is my second commercial shoot
The Fred bare brief was fun in the sun although they wanted a different look as usual. They liked the kids to look more dreamy looking rather than cutesy and have a highly stylistic feel for the images.
This shoot had months of planning, a location scouting mission and several sydney test shoots later we all arrived in Noosa. I had prepared a 10 page concept and shot plan document but when working with 6 year olds you just need to chuck that out the window be flexible think on your feet and get what you get - they are unpredictable
We had a few problems bringing studio equipment to Noosa so we rented in brisbane and all the models were sourced locally from Noosa to keep costs down
There was 52 garments to shoot in a 3 day period.
about 8 different models but ended up culling down to 4 on the 3rd day
i had 1 assistant doubling up as lighting technician
1 stylist - hair + makeup / clothes
the fred bare owners
and a driver
and a few bystanders who were willing to hold stuff
equipment:
Hensel outdoor porty strobe lighting kit battery pack and two strobe light heads
- difusser tent
- snoot
- radio slave trigger
- Hensel scrim and a big reflector
- Minolta light meter
- D2x
- D2hs backup camera
- 2x epson P2000's
- 32gig of CF cards
- Nikon 28-70 f2.8
- 70-200VR
- 3x sb800's
- sc-28 cord
- polarizer
- ND2, 4, 8 filter
- 1510 pelican case
- Black and Decker leaf blower - to blow hair and clothes
early morning 5:30am to catch morning light
a few light tests with my superstar assistant Boz
he waves a towel in hte air, I wanted to see how much blur i would get as i was limited to shooting at 1/125 fastest sync speed the radio trigger for the strobe would go, remarkably hardly no blur
2nd pic 6 year old model lilly and some of the crew you can see the one of the strobe light heads flash Boz is holding the light and on his shoulder the heavy Hensel Porty battery pack, we did not use the stands because we wouldn't be in a static spot so Boz carried all the lights and battery back
by the time the models got dressed it was about 6:00
Lilly was abit stiff at first but i had the crew melt her a little also i was getting aquainted with her so later that day she was more relaxed
this pose is o.k though under my direction
We used a snoot over the strobe to narrow the light - see face, garment is lit by the ambient light, this lighting effect allows for mood
this pose shows off the gorgeous top better, but the facial expression isn't there yet.
i'm still in the editing process thought i should share these 3 because it shows the initial art direction and feel, i mixed this up with sunny shots and other high contrast scenes.
MORE HERE link: http://www.zeduce.org/images/fred2006sum/lilly02.jpg
5 and 6 i like even thoiugh the face is dark(low side lighting from strobe)they have a nice feel
part 2 soon
I was responsible for the concept, art direction and photography, post production and design. This is my second commercial shoot
The Fred bare brief was fun in the sun although they wanted a different look as usual. They liked the kids to look more dreamy looking rather than cutesy and have a highly stylistic feel for the images.
This shoot had months of planning, a location scouting mission and several sydney test shoots later we all arrived in Noosa. I had prepared a 10 page concept and shot plan document but when working with 6 year olds you just need to chuck that out the window be flexible think on your feet and get what you get - they are unpredictable
We had a few problems bringing studio equipment to Noosa so we rented in brisbane and all the models were sourced locally from Noosa to keep costs down
There was 52 garments to shoot in a 3 day period.
about 8 different models but ended up culling down to 4 on the 3rd day
i had 1 assistant doubling up as lighting technician
1 stylist - hair + makeup / clothes
the fred bare owners
and a driver
and a few bystanders who were willing to hold stuff
equipment:
Hensel outdoor porty strobe lighting kit battery pack and two strobe light heads
- difusser tent
- snoot
- radio slave trigger
- Hensel scrim and a big reflector
- Minolta light meter
- D2x
- D2hs backup camera
- 2x epson P2000's
- 32gig of CF cards
- Nikon 28-70 f2.8
- 70-200VR
- 3x sb800's
- sc-28 cord
- polarizer
- ND2, 4, 8 filter
- 1510 pelican case
- Black and Decker leaf blower - to blow hair and clothes
early morning 5:30am to catch morning light
a few light tests with my superstar assistant Boz
he waves a towel in hte air, I wanted to see how much blur i would get as i was limited to shooting at 1/125 fastest sync speed the radio trigger for the strobe would go, remarkably hardly no blur

2nd pic 6 year old model lilly and some of the crew you can see the one of the strobe light heads flash Boz is holding the light and on his shoulder the heavy Hensel Porty battery pack, we did not use the stands because we wouldn't be in a static spot so Boz carried all the lights and battery back
by the time the models got dressed it was about 6:00
Lilly was abit stiff at first but i had the crew melt her a little also i was getting aquainted with her so later that day she was more relaxed
this pose is o.k though under my direction

We used a snoot over the strobe to narrow the light - see face, garment is lit by the ambient light, this lighting effect allows for mood
this pose shows off the gorgeous top better, but the facial expression isn't there yet.

i'm still in the editing process thought i should share these 3 because it shows the initial art direction and feel, i mixed this up with sunny shots and other high contrast scenes.
MORE HERE link: http://www.zeduce.org/images/fred2006sum/lilly02.jpg
5 and 6 i like even thoiugh the face is dark(low side lighting from strobe)they have a nice feel
part 2 soon