High key lighting portraits

A couple more with my experiments learning about lighting - I should crop the lower area more, but I was so chuffed the reflections came out that I left them in these final crops
#1
#2


#1

#2

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sirhc55 wrote:Gooseberry - I can only reiterate what those before me have said.
#2 - this is a classic example pose that would have had superb impact if shot from a distance so that the model only appeared in 1/3rd of the photo and smaller. White space has a tremendous impact on the ”feel” of a photo and in this case would have given a ”lonely” approach to the whole image.
gstark wrote:What Chris says about the second image is 110% correct.
Beyond that, the air of defiance, almost, that I'm getting from the model n thos shot also suggest to me that it will also work with a much tighter crop too, which makes this a really, reallly, realllly good image.