all harshly lit for contrast and mood
except for this one




Mood NoirModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
Forum rules
Please note that image critiquing is a matter of give and take: if you post images for critique, and you then expect to receive criticism, then it is also reasonable, fair and appropriate that, in return, you post your critique of the images of other members here as a matter of courtesy. So please do offer your critique of the images of others; your opinion is important, and will help everyone here enjoy their visit to far greater extent. Also please note that, unless you state something to the contrary, other members might attempt to repost your image with their own post processing applied. We see this as an acceptable form of critique, but should you prefer that others not modify your work, this is perfectly ok, and you should state this, either within your post, or within your signature. Images posted here should conform with the general forum guidelines. Image sizes should not exceed 950 pixels along the largest side (height or width) and typically no more than four images per post or thread. Please also ensure that you have a meaningful location included in your profile. Please refer to the FAQ for details of what "meaningful" is.
Previous topic • Next topic
15 posts
• Page 1 of 1
Mood Noirstarted experimenting with Black and White which i don't normally dabble in
all harshly lit for contrast and mood except for this one ![]() ![]() ![]() ![]() Wendell Levi Teodoro
My Agents Press - Getty Images Creative Rep - T.I.D. FashionID, DBP Productions & The Nest Agency My Book - Zeduce
Gorgeous set wendell. There is a real freshness to these images and the lighting is very punchy. I really like #1(but would probably have toned down the blown right side of face just a tad IMO). I also adore the last the lighting, mood and perspective are spot on. I would seriously consider cropping out the cylinder on top of the head of the model. I personally find that it distracts from the dramatic lighting and beauty of the composition, indeed a crop a little closer to the tight crop in image 2 would enhance the image a great deal. The portrait has great visual impact, the lighting, contrast and those eyes are perfectly in tune. Gorgeous stuff Wendell. You continue to amaze me with your technical skills and ability to execute the vision you hold in your minds eye.
cheers marco
thankyou very much
im starting to love black and white here is another crop of 4 all it need to do now is duplicate the shot with a parisian backdrop and that would be sweet. ![]() Wendell Levi Teodoro
My Agents Press - Getty Images Creative Rep - T.I.D. FashionID, DBP Productions & The Nest Agency My Book - Zeduce
Great images Wendell. I love #1 & #4. I agree with Marco on the cropping idea for #4.
The harsh lighting in #2 shows up the small hairs on your models face which I feel are a little detration to this otherwise lovely image. #3 gives me a feeling that it is..hmmm..sort of about light and dark- due to the contrast in lighting on each side of your models face. It's almost 2 images in the one shot. Great work as usual Wendell. Cheers, Mick ![]() ![]() ![]() Last edited by Oscar on Sat May 26, 2007 8:40 am, edited 1 time in total.
Hi Wendell,
No 1 and the last one you posted as a separate are excellent. Eyes in No. 1 are accentuated and the image works well. Well done! Alex
thanks guys
d2x 85mm 12st image softbox lighting is harsh sun and ad a black card to cut of light the rest is cleaned up in photoshop Wendell Levi Teodoro
My Agents Press - Getty Images Creative Rep - T.I.D. FashionID, DBP Productions & The Nest Agency My Book - Zeduce
![]() Sensational Wendell - I like your B&W's too! Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
Wendell,
Last one is my favourite here. ![]() Was it shot on available light and as 'candid/backstage'? Or it is actually a staged shot with light set up?
Wendell, great photos and the B&W conversion is spectacular.
I actually liked the flare or ghosting exhibited in the original no 4, but also loved the effect of the crop you applied. Awesome lighting, beautiful models and a great combination captured very well. P Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
Wendell,
Very classy. #1 is great, but the tighter crop on 4 works very nicely. On 4, can you now play with your curves, and bring in a smidgeon of shadow detail in the model's right cheek? g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Excellent work, Wendell
These are top class portraits, very much showing your creativity. Lighting works really well, too ![]() Cheers
Previous topic • Next topic
15 posts
• Page 1 of 1
|