
D200, ISO 200, 50mm 1.4 @ 4.5, 1/60s
Bare Flash to camera right, at head height at 1/64 fulled zoomed and aimed horizonatally at the wall and Paul.
Paul - Strobist Style Harsh LightModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
Forum rules
Please note that image critiquing is a matter of give and take: if you post images for critique, and you then expect to receive criticism, then it is also reasonable, fair and appropriate that, in return, you post your critique of the images of other members here as a matter of courtesy. So please do offer your critique of the images of others; your opinion is important, and will help everyone here enjoy their visit to far greater extent. Also please note that, unless you state something to the contrary, other members might attempt to repost your image with their own post processing applied. We see this as an acceptable form of critique, but should you prefer that others not modify your work, this is perfectly ok, and you should state this, either within your post, or within your signature. Images posted here should conform with the general forum guidelines. Image sizes should not exceed 950 pixels along the largest side (height or width) and typically no more than four images per post or thread. Please also ensure that you have a meaningful location included in your profile. Please refer to the FAQ for details of what "meaningful" is.
Previous topic • Next topic
16 posts
• Page 1 of 1
Paul - Strobist Style Harsh LightWell I've been after a cheap second flash for a long time now, finally scored a sweet deal on a SB-28, and decided Paul could be my test subject, for the most part Paul played the Wii while I fiddle with the new unit, but for this shot I got him to pose, and while super rough, I like the affect and am considering refining it probably with two lights and some modifiers to further improve on the idea.
![]() D200, ISO 200, 50mm 1.4 @ 4.5, 1/60s Bare Flash to camera right, at head height at 1/64 fulled zoomed and aimed horizonatally at the wall and Paul.
Well done. I like it. However I would suggest to remove thin black line above the head and probably would give just a little bit more space at left.
You've found me source one of the guys there gave me a great deal, $80 for the flash including the 13 bucks of postage, and I'm one happy camper. And this sort of lighting and the shadow aren't going to be everyones cup of tea, just fun trying new stuff out with my new toy.
i'm a fan of this shot, good work.
body: nikon d200, d70s, f4s, f601.
lens:nikon 35-70mm f2.8, 70-300mm f4-5.6, 10.5mm f2.8, 20mm f2.8, 28mm f2.8, 50mm f1.8. flash: nikon sb600, sunpak 383 (x1), sunpak 555 (x4), pocketwizard plus II (x4) jamesdwade.com dishonourclothing.com
Craig, this is an excellent shot exploring composition, empty space and shadow.
My bullet-point critique ![]() - leave the lighting set up as it is! - clone out the black line at the top of Paul's head, which will help bring out that clean gradient in the background. It will also prevent the left background from being orphaned from the right. - mild dodging in the highlights with a low exposure value (30%?) and a large brush (80-90px for current size) to lighten up the shadow area of the face and shirt. Then do a second pass dodge at 20% in the midtones. (I've saved a quick 'dodgy' job jpeg- let me know if you want it to see what I mean)
Craig - I like it...lots about it. U can't help that it's Paul but anyway...
![]() It's mysterious, creative and fun. Keep experimenting! Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
Love the lighting effect and the concept Alpha. The interplay between the subject and his shadow works well as Bindii and others have mentioned. I'm left wondering if you took any shots with Paul more perpendicular to the wall so that a similar effect and framing but less distortion of his shadow? I think this would work even better. I dare say however you were after the quirky look
![]() cheers marco
Marco - we were mainly just screwing around so there was very few posed shots most of them Paul is punching away on the Wii controlers and I'm just playing with light.
Last edited by Alpha_7 on Fri Aug 31, 2007 11:33 am, edited 1 time in total.
Craig, I like what you have done here. Comp and exposure are all spot on. Well done.
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
Previous topic • Next topic
16 posts
• Page 1 of 1
|