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i like how you see the texture colour and form in all images
however i think in the last it woudl of been better to zoom in to the patterns in the net all i see instead of those beautiful intricate patterns is a cage thing which doesnt look so nice the architectural shot i like too but i think to enhance all those geometrical patterns the image needs more contrast for a more pronounced graphic look the looks a bit dull to me and its not the sort of moody dull it's just to even in tone the 2nd one is purrfect beautiful tones and receeding elements love it
I am getting 3 red X's. Even if i click on show picture - nada
Steve (Nikon D200/D700)
My photography website http://wwphoto.redbubble.com/ My photo blog http://www.redbubble.com/people/wwphoto Please feel free to offer any constructive criticism on my works
To complicate matters further, I can now see them.
Not sure about the third (no real focal point here) but first two have interesting aspects. #2 probably my pick of the bunch. Thats a whole lot of metal. Steve (Nikon D200/D700)
My photography website http://wwphoto.redbubble.com/ My photo blog http://www.redbubble.com/people/wwphoto Please feel free to offer any constructive criticism on my works
I like the second image Matt.. beautifully exposed with detail in the shadows and brighter areas of the image.
Number one looks great i love that kind of picture but maybe the smallest increase in contrast might just make that first building stick out that little bit more.
Number two is my favourite a very different perspective. Number 3 does'nt do too much for me sorry the crop is a bit tight down the bottom and the pole running across the top right corner is a bit distracting.
No 2 is great, no 1, I think needs more contrast as Wendell said to really make it stand out (despite some ordinary architecture, Sydney CBD does have some great shapes when looked at from the right perspective), and no 3 doesn't hold much attention for me. Perhaps a tighter crop?
P Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
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