Straight out of the camera......after:
B&W conversion
Sharpening
C&C appreciated
I have printed this A3 and love it, although I wish I had some large heavy-matte paper.

BathtimeModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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BathtimeI promise to post photos of subjects other than my son, but not this time...
Straight out of the camera......after: B&W conversion Sharpening C&C appreciated I have printed this A3 and love it, although I wish I had some large heavy-matte paper. ![]() Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
Patrick - sensational, this WILL be one to keep and remember! LOVE IT!
Frame it! DEFINATELY frame it, if you don't I will, but then that'd be a bit weird, Bel and Alicia might get spooked ![]() As Kris has said a bit hot at the top, a slightly tighter crop would fix this. Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
Sir Echo Stubbsy here
Awesome image and one to be proud of. I'd try dodging Alicia's shoulder a little rather than cropping on the left as I think that Alicia's hand adds nice scale to the image Peter
Disclaimer: I know nothing about anything. *** smugmug galleries: http://www.stubbsy.smugmug.com ***
Peter - I meant cropping from the top..
Therefore no hand will be effected. Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
Thanks everyone - Geoff, I definately plan to frame it, to keep our respective better halves from being too spooked.
I agree about the top shoulder, although I was trying to focus on the histogram forgetting that it was still the brightest part of the photo! Peter, I will try dodging instead of cropping as I would like to print again on something like the Hahnemuhle or Museo paper (Geoff mentioned a few weeks ago). By the way, on the print (Ilford Smooth Pearl), the shoulder doesn't appear too distracting ![]() Cheers ![]() Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
Patrick - can't wait to see the print!
Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
This pic is fine on both counts - the so called blown area still has around 5% CYM and rates at 247 - so, a gorgeous photo that will print fine.
Chris
-------------------------------- I started my life with nothing and I’ve still got most of it left
beautiful shot!
Pentax istDS+K10D. Pentax 50mm f1.4, Sigma 10-20mm, Tamron 90mm f2.8 macro, Kit Lenses. http://www.redbubble.com/people/berndt2
Great shot mate.
I know what it's like to take a million photos of the little one, then feel like it's all you post, but who cares? Not me, that for sure. Maybe be a good image for canvass? Well done. 2x D700, 2x D2h, lenses, speedlights, studio, pelican cases, tripods, monopods, patridges, pear trees etc etc
http://www.awbphotos.com.au
Thanks for the comments and, you're right, I am not overly concerned. It is simply representative of the fact that we have had fewer opportunities to get out into a different environment to take photos. Canvas would be a good option - the Epson R1800 supports canvas, yeah?? Cheers Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
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