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High key lighting portraitsModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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High key lighting portraitsA couple more with my experiments learning about lighting - I should crop the lower area more, but I was so chuffed the reflections came out that I left them in these final crops
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Nice work.
I'd be keen on seeing and learning about your setup too. Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
Gooseberry - I can only reiterate what those before me have said.
#2 - this is a classic example pose that would have had superb impact if shot from a distance so that the model only appeared in 1/3rd of the photo and smaller. White space has a tremendous impact on the ”feel” of a photo and in this case would have given a ”lonely” approach to the whole image. Chris
-------------------------------- I started my life with nothing and I’ve still got most of it left
What Chris says about the second image is 110% correct.
Beyond that, the air of defiance, almost, that I'm getting from the model n thos shot also suggest to me that it will also work with a much tighter crop too, which makes this a really, reallly, realllly good image. ![]() g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Thanks all for the comments and feedback.
Chris and Gary, Thanks for the feedback - yeah, I was toying with the idea of cropping closer or leaving it looser when I was reviewing the second shot. Think I'll post a wider version of that one with more white space to compare. Really appreciate your feedback and comments. Oh, and for the setup, fairly simple - something reflective on the floor to create the reflection, one main light to light the model from the front and a couple of lights to light up and totally overexpose the background.
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